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Since 1995, when Adiemus first appeared with its unique blend of the classical and the ethnic, with my invented language for lyrics, I have been inundated with requests from choirs around the world for an Adiemus that, for the first time, included male voices as well as female.

The idea of re-orchestrating a selection from the past led me to a new concept of increasing the forces across the board, making the whole sound massive and symphonic.

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